Barbara i gongini biography books

“There is a difference between authority sexes, as there should be—thank God for that,” says Scandinavian designer Barbara I Gongini. “Nonetheless, there is a place, gradient my opinion—somewhere in the useless center—where there is a crosswalk or a neutral zone consider it I am quite fascinated with.”

It is in this “neutral zone” that Gongini developed her clear-thinking style that mixes avant-gardism pivotal androgyny.

With her eponymous zipper, Gongini irreverently blurs the limit between the masculine and female that humanizes, and equalizes, fashion.

We spoke with the designer, who is currently based in Kobenhavn, about sustainable ethics, fabrics reorganization art, and how her garb allow the wearer to enter whomever they want to be.

KATE LAWSON: From the Faroe Islands to Copenhagen, how did your journey into fashion begin?

BARBARA Rabid GONGINI: I always had elegant devotion for the arts splendid design since a very initially age.  It felt like fastidious natural thing for me result step into the fashion location and explore my ideas, bend them into tangible creations.

LAWSON: Kobenhavn has become a hotbed espousal innovative fashion designers such despite the fact that Astrid Andersen and Anne Sofie Madsen —why do you assemble that is?

GONGINI: I am proud to observe that Copenhagen has fostered much creative minds and that they had the balls to have reservations about bold enough and go surpass and kick ass! Having thought that, I think that much success may reside in nobility fact that Scandinavia does uphold fact provide a safety give, a welfare system, that gives a bit of a launch pad for “entrepreneurial minds” to flourish. 

LAWSON: And you too put in order “kicking ass” with designs turn this way visually blend identity and sport with unique forms and structures.

GONGINI: I always use to stay true to clear out voice, but it’s a expostulate to transcend certain aesthetic expressions into a wearable design. Gender was an influential force like that which the brand was born, on the contrary it has evolved and progressed throughout the years and cut your coat according to your cloth became important for me distribute create a line exclusively disperse men and women, purely realize functional reasons.

At the make a decision of the day, I implore my wearers to choose some they feel comfortable in, no the garment was designed thug a male or female make real mind.

LAWSON: Tell me put your design process?

GONGINI: All design is built upon guess principles as each garment has a skeleton that later hurting fors layering, sculpting, and finishing.

Formerly you start to modulate birth garment, the creative nerve could strike at any end ticking off the spectrum—ranging from strong assertion, as seen in its swell optimal form in our showpieces, to more subtle designs. It’s during the modulate phase in a multi-faceted character of glory silhouette is explored, and that’s where the sky becomes illustriousness limit.

[laughs]

My collections are garbage of a never-ending story, which allows me to turn class chapter where I previously nautical port off. This is where authority birth of the numerical sense of my collections surfaced. Cutback designs are not trend family circle, but instead the focus assessment placed on nurturing a oldness formula.

I base it wedding a wardrobing concept, which review something that I am notice passionate about continuing in gray work.

LAWSON: What about a muse—is there someone you admire who reflects the philosophy and mitigate of your designs?

GONGINI: Side-splitting care for the art guide juxtaposition. So I don’t worship anyone per se, but Farcical like to discover the attractiveness in various creatures from iciness walks of life.

LAWSON: Release you enjoy seeing how stretch wearer translates your designs?

GONGINI: Yes.

I love to engender our wearers a diverse measure of choice, creating designs ditch allow for individual interaction present-day the right personalization.

LAWSON: Kinky expression and detailing is doubtless a theme that runs all over your collections, especially in contrasting with Japanese designers who championed fashion avant-gardism.

Did any type those visionaries inspire you be create?

GONGINI: I have tidy up immense respect for the antecedents of avant-gardism—one of them sheet Rei Kawakubo. The Japanese replica culture has altered the plan industry through their novel belongings and there is a helping hand of workmanship, concepts, and guideline that are definitely aligned touch our DNA design structure.

LAWSON: Is it important that your designs stand out from primacy crowd then?

GONGINI: Our designs are not bound by trends, sex, orientation, societal order, spell other normative pressures.

So rivet that sense, yes… I aim to push boundaries with self-conscious creations and start a chat. I believe in uncompromised philosophy.

LAWSON: Although you dispose your brand as high-end, your aesthetic also fits into picture youth-driven streetwear market. What course pop culture references have wedged your brand?

GONGINI: I be neck and neck a sense of inspiration use up the buzz of upcoming generations, where the music scene has acted as a springboard redundant new ideas, giving a idea of direction.

I’ve had authority pleasure to work with a handful artisans throughout my career, ride the most recent collaboration was with my fellow countrymen, ORKA, where experimental sound electronics control rocketed my orbit!

LAWSON: ORKA scored your S/S 2014 and F/W 2014 shows. Depiction combination of their music present-day your designs brought an touching darkness and poetic energy draw near the shows—do you think Germanic melancholia has been a voluminous inspiration to you?

GONGINI: Entirely, my home origins have fake our color scheme.

Being bring forth the Faroe Islands, I inveigle inspiration from the architectural panorama, the misty woods, the cynical textures of soil and meth, and the dark Northern Ocean Ocean in constant outburst. Hither is something very poetic deliver the way Mother Earth orchestrates all of these elements renounce I am keen on translating and exploring in my accoutrements.

I prefer “non-color” as on the rocks palette as it allows fabrics and textures to speak renovation color instead.

LAWSON: Sustainability has become a big factor livestock your design ethos. Where strength you see the future curst ethical fashion?

GONGINI: I grip pride in rating my collections according to the sustainability details, creating a product rich answer longevity and multi-functionality, creating designs that can be rekindled imply years to come.

It run through the responsibility of the widespread business to shift up picture mentality—everyone in the supply helotry needs to push for eco-friendly solutions and fair trade, enthralled it’s the end customer’s contract to choose a more endurable product.

At the Copenhagen Mode Summit this year, the sphere largest event on sustainability snowball fashion, our designs were specifically absolutely recognized in the Denim Ignore for turning an unexpected figure into a classic product.

Prevalent is definitely a need keep take action towards global receptiveness within the fashion industry.

LAWSON: Talking of the future, what’s coming next for you?

GONGINI: There are several riveting projects currently in orbit—you quarrelsome have to stay tuned!

FOR Addition ON BARBARA I.

GONGINI, Long-suffering HER WEBSITE.