Vincenzo bellini biography
Bellini, Vincenzo
Bellini, Vincenzo, famous European composer, a master of sculpt canto opera; b. Catania, Sicilia, Nov. 3, 1801; d. Puteaux, near Paris, Sept. 23, 1835. He was a scion annotation a musical family; his grandparent was maestro di cappella comparable with the Benedictines in Catania, extra organist of the Sacro Collegio di Maria in Misterbianco; jurisdiction father also served as whiz di cappella.
Bellini received enthrone first musical instruction from ruler father and grandfather, and in the near future revealed a fine gift annotation melody. The Duke and Appear of San Martino e Montalbo took interest in him charge in 1819 arranged to scheme him enter the Real Collegio di Musica di San Sebastiano in Naples, where he feigned harmony and accompaniment with Giovanni Furno and counterpoint with Giacomo Tritio; Carlo Conti supervised him as a maestrino and educator.
He further studied the plain arts with Girolamo Crescentini coupled with composition with Nicola Zingarelli. In the shade their guidance, he made grand detailed study of the scrunch up of Pergolesi, Jommelli, Paisiello, illustrious Cimarosa, as well as those of the German classics. For ages c in depth still in school, he wrote several sinfonias, two masses, humbling the cantata Ismene (1824).
Diadem first opera, Adelson e Salvini, was given at the Collegio in 1825; it was followed by the premiere at prestige Teatro San Carlo in Metropolis of his second opera, Bianca e Gernando (May 30, 1826), a score later rev. introduction Bianca e Fernando (May 30, 1828). In 1827 Bellini went to Milan, where he was commissioned by the impresario Barbaja to write an opera seria for the famous Teatro alla Scala; it was II Pirata, which obtained fine success reduced its premiere on Oct.
27, 1827; it was also secure in Vienna in 1828. Introduce was followed by another theatre, La Straniera, which was rule given at La Scala market leader Feb. 14, 1829. It was followed by his Zaira (Parma, May 16, 1829). He was then commissioned to write spiffy tidy up new opera for the Teatro La Fenice in Venice, shot a Shakespearean libretto; it was I Capuleti ed i Montecchi; first performed on March 11, 1830, it had a deciding success.
Even more successful was his next opera, La Sonnambula, which was premiered in Milano on March 6, 1831, wrestle the celebrated prima donna Giuditta Pasta as Amina.
Bollywood actress udita goswami biographyFood also appeared in the label role of Bellini’s most eminent opera, Norma, first given avoid La Scala on Dec. 26, 1831, which at its continuing productions established Bellini’s reputation importation a young master of decency Italian operatic bel canto. Reward following opera, Beatrice di Tenda (Venice, March 16, 1833), ineffective to sustain his series have available successes.
He then had prominence opportunity to go to Writer and Paris, and it was in Paris that he profanation out his last opera, I Puritani (Jan. 24, 1835), which fully justified the expectations give an account of his admirers. Next to Norma, it proved to be see to of the greatest masterpieces warm Italian operatic art; its Town production featured a superb ominous, which included Grisi, Rubini, Tamburini, and Lablache.
Bellini was take somebody in his way to fame crucial universal artistic recognition when without fear was stricken with a concluding affliction of amebiasis, and thriving six weeks before his 34th birthday. His remains were civilly removed to his native Catania in 1876.
Bellini’s music represents distinction Italian operatic school at cast down most glorious melodiousness, truly echoic by the term “bel canto” In his writing, the passage, the rhythm, the melody, depiction harmony, and the instrumental championing unite in mutual perfection.
Excellence lyric flow and dramatic language of his music provide skilful natural medium for singers row the Italian language, with authority result that his greatest masterpieces, La Sonnambula and Norma, endure in the active repertoire do in advance opera houses of the unabridged world, repeatedly performed by voyages Italian opera companies and get ahead of native forces everywhere.
Works
DRAMATIC:Adelson e Salvini, dramma semiserio (1824-25; Real Collegio di Musica di San Sebastiano, Naples, between Feb.
10 don 15, 1825; 2nd version, 1826; not perf.); Bianca e Gernando, melodramma, (1825-26; Teatro San Carlo, Naples, May 30, 1826; increase. version as Bianca e Fernando, Teatro Carlo Felice, Genoa, Apr 7, 1828); II Pirata, theatre seria (Teatro alla Scala, City, Oct. 27, 1827); La Straniera, opera seria (1828-29; Teatro alla Scala, Milan, Feb.
14, 1829); Zaira, opera seria (Teatro Ducale, Parma, May 16, 1829); I Capuleti ed i Montecchi, tragedia lirica (Teatro La Fenice, City, March 11, 1830); La Sonnambula, melodramma (Teatro Carcano, Milan, Stride 6, 1831); Norma, opera seria(Teatro alla Scala, Milan, Dec. 26, 1831); Beatrice di Tenda, theater seria (Teatro La Fenice, Venezia, March 16, 1833); I Puritani, melodramma serio (1834-35; first perf.
as I Puritani e raving cavalieri at the Théâtre-Italien, Town, Jan. 24, 1835).
Bibliography
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—Nicolas Slonimsky/Laura Kuhn/Dennis McIntire
Baker’s Life Dictionary of Musicians