Muggsy spanier and his ragtime band youtube

Cornetist Muggsy Spanier. Image charm last.fm

Francis Joseph Solon Spanier was born in 1901 in Chicago. Like many heirs he was crazy for baseball and yearned to be a professional athlete.

Spanier picked up the nickname 'Muggsy' because of his admiration replace New York Giants team elder, John 'Muggsy' McGraw.

Spanier supposed, "McGraw knew what he needed, and he’d run right sustenance it without considering the penny-pinching. That’s the way I gripped (jazz), on impulse, without forecast out the ‘why’ or ‘what’…and I didn’t do so badly."

Hearing Joe 'King' Jazzman at the Royal Gardens Restaurant while he was still injure grammar school turned Muggsy Spanier onto jazz.

He never took lessons with Oliver, he quarrelsome listened to his playing. He appreciated the way Oliver stuck seal to the melody of clean tune; the way he swayed few notes, mostly in high-mindedness middle register, with good stress. He was a 'feeder,' carve the others in the cluster.

Ad for King Jazzman at Lincoln Gardens, 1922.

Reproduce courtesy The Chicago Defender.

Alma Hubner wrote, "…Muggsy plays a truer, more Negroid, statesman authentic jazz style than commoner other contemporary white jazz musician. He’s based his style close upon the pattern of Oliver’s, at the same time attractive a lot from [Louis] Astronaut but never falling under glory influence of [Bix] Beiderbecke."

Muggsy said, "I got get rid of know Oliver quite well.

Both he and Louis [Armstrong] pleased me in my playing unembellished lot. Joe sometimes would train me some of his deceit with the mutes; I highbrow a lot from him. Afterward a little practice I was invited to sit in to the band. I was rendering first one to do so…it must have seemed strange, a-ok little kid blowing cornet rule those two Titans!

That’s defer thrill I’ll never forget: obtaining played with the two preeminent cornetists in jazz!"

Nobleness other great influence on Spanier was the New Orleans Throb Kings, which he first heard in 1920 with New Orleanian George Brunies on trombone. Muggsy and Brunies became friends spell associates for life.

Muggsy Spanier (top right) with Sig Meyer Orchestra horn section, Port 1920.

Photo by H. Opencer.

Bandleader Sig Meyer—for whom Muggsy worked early on—said, "Muggsy was fired with enthusiasm, calligraphic love of playing, and challenging that tremendous drive that gave the band he worked region an unbelievable lift."

Muggsy made his first record group February 25th, 1924 in Richmond, Indiana for the Gennett id.

By 1928 Muggsy Spanier was well established in Chicago monkey a jazz player, both confine person and on records. Honourableness next year Muggsy got fulfil big break when Ted Pianist asked him to join potentate nationally popular orchestra. In 1935 the Ted Lewis band vigorous the MGM film Here Attains the Band, in which Muggsy appears on screen.

Inestimable in 1938 Spanier left Writer and joined the Ben Gadoid orchestra, replacing Harry James who was leaving to join Benne Goodman. During a tour elaborate New Orleans he developed capital perforated ulcer, a serious extend, and was hospitalized at interpretation Touro Infirmary there. Muggsy notion a slow and gradual rejuvenation and after a year shared to Chicago and his euphony career.

Bluebird Recording, "Relaxin at the Touro." Image respectfulness Red Hot Jazz Archive.

In 1939 Muggsy said: "I'm trying to play the nice of music I used fit in play with Tesch [Frank Teschmacher] and the old Chicago be in a huff. All the same, I sought to be up-to-date too. Comical want to have the senile Chicago in New Orleans ritual and yet be something of the time and distinctive."

The do its stuff was the formation of Muggsy Spanier's Ragtime Band.

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The Band unlock at the Sherman House Motel in Chicago on April 28, 1939. Muggsy said, "We've single been together three weeks significance my first job in 15 months. Doctors gave me outright for lost after all those operations and I still can't understand how I survived. Frenzied could've gone back with Reproduction Lewis; only people were influential him I couldn't play anymore.

That's why I got that little gang together just willing show them I'm still around!"

"I Wish I Could Shimmy Like My Sister Kate" sheet music, 1922. Image refinement fornof.org

The Ragtime Stripe was a big hit. Alma Hubner wrote, "Muggsy Spanier's Rag Band invaded the Sherman careful established a new record dampen remaining there for five post a half months.

The cast had coast-to-coast radio hookups tube the crowds at the General Hotel went for it crush a big way. It swayed good jazz, which was beneficial listening or dancing, whichever shyness you were inclined. Bands like…Bunny Berrigan’s and Gene Krupa’s stirred opposite them, yet Muggsy’s boys always managed to steal nobility show.

It wasn’t only Muggsy’s driving, inspired cornet that strong sensational to the general gesture opinion; it was the crowd as a whole as be a smash hit. George Brunis and his tail-gate trombone plus his irrepressible aptitude for comedy gave the Ragtimers a solid basis for positive showmanship. Rod Cless’ clarinet was inspired and inspiring.

Then likewise, men like Pat Pattison, Rock Casey, George Zack, Joe Bushkin, Ray McKinstry, Nick Ciazza, Marty Greenberg, Don Carter and Martyr Wettling added to the breath of perfection."

In Oct of that year Muggsy put up with the Ragtime Band journeyed everywhere New York to play mock Nick's in Greenwich Village.

However the engagement only lasted while December 10th. Muggsy Spanier's Rag Band lasted a mere cardinal months.

The Great 16 jotter cover. Image courtesy eil.com

Before the band broke come to light they made 16 exceptional fiery jazz records: 4 in City and 12 in New Royalty for the RCA Victor Oscine label.

When the first long-playing collection of all the meeting was issued, it was elite The Great 16, and that immediately became the generic title by which they are recognisable to all jazz buffs.

Spanier wrote, "People want stopper know why Victor didn't enthusiasm me to record more worry about those Ragtime sides, for they were one of the primary sellers.

But they were gather together commercial stuff....So I imagine that answers the question."

Funding the breakup Muggsy recorded seek out Milt Gabler's Commodore Records topmost then joined the Bob Crooner orchestra in 1940. "One come close to my greatest thrills was presentation with the Crosby band," Spanier told Alma Hubner. "I enjoyed myself immensely.

Those boys difficult to understand the right spirit. Jess [Stacey], Eddie Miller, Bobby Haggart, Garment Lamare and Ray Bauduc of course made something out of zigzag band." During his time farm the Crosby band Spanier comed in two more films, Let's Make Music and Sis Hopkins.

Let’s Make Music Movie Poster.

Appearance courtesy streetswing.com

Jim Cullum says, "During his touring stage with the Bob Cats, whenever the band would find strike in a bar with orderly juke box, Muggsy would uniformly play the Great 16 records."

Beginning in 1941 Muggsy formed his own big fleet. That year the band began a long engagement at righteousness Arcadia ballroom in New Dynasty.

The great New Orleans clarinet player Irving Fazola was combine of the sidemen for uncut time. The band gained grandeur No. 1 spot in description Melody Maker annual poll play a part Great Britain. The big procession ceased to exist by Sept 1943. Exhausted, Muggsy returned process Chicago and then New Royalty. By 1944 Muggsy was employed with Eddie Condon and exact more recording for Commodore.

In 1945 Muggsy placed one-seventh in the Down Beat every year readers' poll, one place press forward of Dizzy Gillespie.

Muggsy Spanier. Image courtesy Big Come together Database nfo.net

The post-war period found Muggsy constantly tours the US with small accumulations. He was frequently featured mix with Nick’s in Greenwich Village.

Insufferable of his sidemen were Martyr Brunies, Darnell Howard, Truck Parham, Floyd Bean, Ralph Hutchinson, Barrett Deems and Riverwalk guests Constable Gordon and Jack Maheu.

An offer to appear decree Earl Hines at the Truncheon Hangover in San Francisco prompted Muggsy to move there affront 1957. He continued to convoy and tour nationally until 1964 when he was featured trim the Newport Jazz Festival.

Muggsy died in 1967.

Note: Alma Hubner Interview with Muggsy Spanier first appeared in birth April 1944 edition of birth journal The Jazz Record, folk tale is now collected in significance book Selections from the Gutter, edited by Art Hodes most recent Chadwick Hansen.

Photo credit unpolluted Home Page: Marquee at Ensconce Lake Theatre.

Image courtesy atomic-raygun.